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Taketombo Curious Case

Ayako Takase 高瀬文子

Industrial Designer, Co-Founder of Observatory (Design Studio)
RISD Professor - Providence, USA
アメリカ -  インダストリアル・デザイナ、
オブザーバトリー デザイン会社 経営者
RISD 美術大学准教授
Destination:   Takaoka, Inami, Hida Furukawa, Kanazawa
目的地:  高岡、井波、飛騨古川、白川郷、金沢
工房:
  • 金属鋳造
  • 木彫
  • 製材所
  • 家具工場
  • 大工の工房
  • 組み木ワークショップ
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Master Wood Carver Taniguchi opened his door to welcome us.
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I had a pleasure of working with Mikki for planning an investigative research trip for curriculum development for Rhode Island School of Design (RISD) this summer in 2019.

 

Starting from my vague idea of wanting to do something mutual with Japanese traditional crafts and American design/art students, and after brainstorming together, Mikki crafted an informative and meaningful trip through Toyama and Gifu visiting craftsman, local traditions and culture.

 

What is different and unique about this trip Mikki planed and toured with me, from any other cultural tour trips that I have taken elsewhere, is her company’s mission and commitment to sustaining the local traditional arts and crafts. I not only experienced the culture hands on, but I was able to witness the dire needs for actions to be taken to sustain its heritage and shokunin skills & culture in rural Japan. She keeps asking what everyone can do as a unique stakeholder to maintain and revive the traditional arts and move it forward. She is well connected locally, professional and flexible with my needs and opportunities I sought out.

 

I plan to continue working with her to build a foundation to do meaningful and lasting work with traditional craftsman and RISD students in near future. We (Japanese) are very lucky to have a passionate and capable visionary such as Mikki making these connections and bridges to support local crafts and arts industries and traditions. 

「日本の伝統工芸とアメリカのデザイン・アートの学生を結び付けて何かをしたいとの漠然とした思いを、ミッキは職人と地方の伝統・文化に触れる富山と岐阜を巡る有意義な旅にしてくれました。

これまで体験した文化ツアーと比べて、今回の旅がユニークなのは、タケトンボ社(ミッキ代表)が使命として地方の伝統美術・工芸の保存を献身的に思っている点です。旅を通して文化体験だけでなく、地方の遺産や職人技と文化を守り継ぐ必要性を切実に感じました。伝統芸術の保存・復活・実現には、誰もが独自の関わりを持ち何ができるかを考えてほしいと彼女は願っています。」

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I not only experienced the culture hands on, but I was able to witness the dire needs for actions to be taken to sustain its heritage and shokunin skills & culture in rural Japan.

             

 - Ayako Takase, Industrial Designer from Providence, US 

We look forward to continue our partnership in reinventing

the Crafts of Japan. 

Ayako, see you again soon!

 

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